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In his 2005 painting Bittermeet Victory, by all means. the camas is bisected by a vertical, beige line. On the left half, three orange triangles in a row, cach one which stretched from the bottom to the top of the canvas's left half, angle slightly to the right on a purple Page 5 of6 67. A. NO CHANGE It. for example. C.in coatrast. D. thereafter. 68. Which of the following alternatines to the underlined portion woold NOT be acceptable? F. vertically bisected by a beize G. busceted by a vertically heige 11. bisected vertically by a beigc J. bisected by a beige, vertical 69. A. NO CHANGE B. which by stretching C. stretching D. stretches 70. I: NOCHANGE G. canvas, on the lelt half. II. lefthalf of the canvas. J. canvas.

Pergunta

In his 2005 painting Bittermeet Victory, by all means.
the camas is bisected by a vertical, beige line. On the left
half, three orange triangles in a row, cach one
which stretched from the bottom to the top of the
canvas's left half, angle slightly to the right on a purple
Page 5 of6
67. A. NO CHANGE
It. for example.
C.in coatrast.
D. thereafter.
68. Which of the following alternatines to the underlined
portion woold NOT be acceptable?
F. vertically bisected by a beize
G. busceted by a vertically heige
11. bisected vertically by a beigc
J. bisected by a beige, vertical
69. A. NO CHANGE
B. which by stretching
C. stretching
D. stretches
70. I: NOCHANGE
G. canvas, on the lelt half.
II. lefthalf of the canvas.
J. canvas.

In his 2005 painting Bittermeet Victory, by all means. the camas is bisected by a vertical, beige line. On the left half, three orange triangles in a row, cach one which stretched from the bottom to the top of the canvas's left half, angle slightly to the right on a purple Page 5 of6 67. A. NO CHANGE It. for example. C.in coatrast. D. thereafter. 68. Which of the following alternatines to the underlined portion woold NOT be acceptable? F. vertically bisected by a beize G. busceted by a vertically heige 11. bisected vertically by a beigc J. bisected by a beige, vertical 69. A. NO CHANGE B. which by stretching C. stretching D. stretches 70. I: NOCHANGE G. canvas, on the lelt half. II. lefthalf of the canvas. J. canvas.

Solução

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67. C<br />68. G<br />69. C<br />70. II

Explicação

## Step 1<br />For question 67, we need to choose the most appropriate transitional phrase to connect the sentence. The sentence is describing a painting, and the phrase should indicate a contrast between the two parts of the sentence. The phrase "in contrast" (option C) is the most suitable as it indicates a difference or contrast between the two parts of the sentence.<br /><br />## Step 2<br />For question 68, we need to choose the phrase that does not correctly describe the action of the camas being bisected by a vertical, beige line. The phrase "bisected by a vertically beige" (option G) is incorrect because the adjective "vertically" should be placed after the noun "beige" to correctly describe the action.<br /><br />## Step 3<br />For question 69, we need to choose the phrase that correctly describes the action of the triangles stretching from the bottom to the top of the canvas's left half. The phrase "stretching" (option C) is the most suitable as it correctly describes the action of the triangles.<br /><br />## Step 4<br />For question 70, we need to choose the phrase that correctly describes the position of the triangles on the canvas. The phrase "left half of the canvas" (option II) is the most suitable as it correctly describes the position of the triangles on the canvas.
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